Professor Remi Raji is the Dean of the Faculty of Arts of the University 0f Ibadan. He is also an
accomplished poet, essayist, scholar and incumbent President of the
Association of Nigerian Authors. In this interview, he spoke o
m the history, present and future of literature in Ibadan.
What in your view has built this city into our hotbed of literature? What makes Ibadan tick?
Well, it is just about the geography of things as well as the history of
the foundation of South Western Nigeria as a region of a young Nigerian
federation. The establishment of the University of Ibadan in 1948 led
to the cementing of the status of Ibadan as the culture capital of the
nation. This was not just of the book industry. but scholarship in
general which is related to it, and then entertainment, highlife, the
proximity to Lagos, and of course there were the young Turks – the young
intellectuals then – who established the Mbari Club which was actually
the hotbed for the first generation of serious Nigerian writing.
Then also, Nigeria seemed to be the melting pot for other African
writers and scholars, especially from East Africa – Kenya, Uganda
precisely and also South Africa as well as Zimbabwe. It seems like they
would come to Nigeria first before they then set forth to other
countries, say for example, Ghana or the US. That spirit of renaissance
was very much around in the sixties but then it started two or three
decades before.
And of course the Alarinjo Theatre was one of the other unsung factors
for the emergence of the literary tradition because there was that
synergy between dramatists, performers, writers, painters, etc. Ibadan
was also not far from Oshogbo,( another important place is the Cultural Centre at the
time) and Ibadan was also the capital of the Western Region where all
the firsts, in terms of buildings, in terms of institutions, etc were
established. It was therefore then just the natural watering hole for
writers, for dancers, for other artists, including painters and so on
This is a worthy legacy indeed and we may add: Obafemi Awolowo, the
government of that era, the libraries and the Free Education programme,
but it looks to me more recently that there does not seem to be that
synergy anymore between the governance systems and the literary systems
of the city and of the state.
I think it goes more than two decades back. You know, because I became a
student here in the 1980s and that is now three decades or more and I
didn’t feel that kind of synergy between the government of the day and
the writing community. I mean we only just heard of it and we saw the
evidence of that connection between the leadership of the Western House
of Assembly and the Premiership and the writers.
I think it has to do
with the charisma and visionary disposition of the leader of the day
because once you do not have someone who prioritizes education, there is
no way that literature can then really thrive, in terms of, I mean,
getting patronage from government and now Nigeria is struggling under
the weight of a very minute percentage of budgetary allocation to the
educational sector.
It is said that the country is only contributing 8.43 per cent of its
total budget to education and if we go down to the states, we also have
to find out what percentage of the budget that each state is devoting to
education. But in the 1950s and 60s, in the time of Obafemi Awolowo,
the story had it that the man was contributing well above the 26 percent
that was suggested by UNESCO. He was contributing 32 per cent to
education.
Something of about one-third of the budget was going to
education under his leadership because he believed that education is a
key entrance to development because once you educate the mind all other
things would follow. He was even reputed to have said that if he had his
way, he would devote 50 percent of the total budget of the Western
region to the sector!
Now our country is giving 8.43 percent of its budgeted resources to
education whereas a country like Ghana is giving 31 percent and South
Africa is giving 26 per cent and the end result is that, very
shamefully, our students, not just in the universities, but now at the
secondary school level, are migrating to South Africa and Ghana! And
when you don’t have a concentration of young blood around the city and
they are all scattered abroad by their rich parents or even those who
are just struggling to get money for them to get to all of these places,
there cannot be a well developed youth culture back home. And it is the
youth culture that encourages a very robust literary culture!
Very interesting perspective; can we take it on now to the issue of
libraries. Going around our cities, we find that unlike in the past
where we had provincial and local government libraries, today, libraries
almost do not exist, or where they do, there are no books
Are there really things like provincial libraries again? Maybe there are
state libraries. You see when I was growing up, we had one very close
to the Mapo Hall here in Ibadan and it was run by the Ibadan City
Council. And it had all the books, even hardback texts, to the extent
that some of us used to go the library frequently. We would borrow books
and would return them and indeed the loss rate was very minimal.
At a
time, we even created a Mapo Library Readers Association and I happened
to be the Secretary. At the time we were doing this, I didn’t know that I
would one day be in line as a voice for literacy, reading and so on.
But we were doing it only because we wanted to pass and pass very well.
Indeed, going to Dugbe where the library was located from my South East
end of Ibadan was like going to Lagos – where you have skyscrapers and
choice vehicles and all that. So we grew up in an environment where you
could stay put within your locality and there was a library near you. I
really don’t know what has happened to our psyche about intellectualism.
And by this I do not mean going to the University and getting a degree
but simple, basic intellectualism. Just to learn, just to know which
essentially is what reading is all about. The proverb says ‘reading
maketh a man.’ If you do not read, how can you know and then go on to
achieve, properly speaking? It is really sad.
In the midst of all of these we have also had some positives. For
example we have the Association of Nigerian Authors which you preside
over currently. Founded since 1981, it has survived and this is despite
this overhanging despondency. What has ANA done right?
Well, over time ANA has survived and the survival came with a lot of
sacrifice, a lot of struggle and I would still say that like a bird
flying with one wing, we have still not pushed the deepest potential
that writing could do for us in terms of its contributions to national
development.
One area in this regard is in the membership spread. Myself
included and indeed most people who are ANA members today would either
be university graduates or those who are about to get into the
university. It is still some kind of pseudo-elitist association in spite
of the fact that it is the biggest writer’s body in all of Africa. But
what we are trying to do now is to break that myth, and it has been done
in the past, by going a little down the ladder, I mean to secondary
schools, and maybe someday we will start from primary schools, and that
is to teach people the importance of reading and the dignity of
self-expression.
And of course there are years that it has been done and
you have school’s outreach and different organizations do their own
bit. In the past two years for example we have been lucky to get a grant
from an individual, a Nigerian who is really supportive of ANA, and
with that we have been able to get to an average of 150 secondary
schools in all of the federation per year. But that is still a pilot
project.
And here indeed is the other problem: that we seem to be
running pilot projects year after year! I am hoping that someday there
would be well established residencies that will be able to support
writers who are willing to go to say, twenty secondary schools within a
term and not worry about how to survive.
There is the Ebedi Residency not too far from here. We also have in this
month of November quite a number of Book events. There is one in Enugu,
the CORA Festival in Lagos, and the Ake event in Abeokuta and of
course, the Annual ANA Convention. Could all of these events not have
been better spaced?
Yes, you are right. For example, ANA is finishing on the 10th, then by
the 12th there is the Mu’azu Babaginda Aliyu International Literary
Festival in Minna, Niger State and you only have one night of rest
before you get to the next event. You see, it is a reflection of how
things are today. We are seeing here the indomitable spirit of the
Nigerian, whether in sports, industry and even literary culture.
Source: Hallmarknews